Volume 9, Issue 3, 2017

Complete issue
DOI: 10.3384/cu.2000.1525.1793

Editorial

Introduction: Mobility, Mediatization and New Methods of Knowledge Production
Culture Unbound: Journal of Current Cultural Research 2018 9(3): 222-227
fulltext

Mediatization, Mobility and Methods of Knowledge Production

The University as a 'Giant Newsroom': The Uses of Academic Knowledge Revisited
Culture Unbound: Journal of Current Cultural Research 2018 9(3): 228-239
fulltext
Academic Publishing and its Digital Binds: Beyond the Paywall towards Ethical Executions of Code
Culture Unbound: Journal of Current Cultural Research 2018 9(3): 240-259
fulltext
Bellamy's Rage and Beer's Conscience: Towards a Pirate Methodology
Culture Unbound: Journal of Current Cultural Research 2018 9(3): 260-276
fulltext
Publishing and Mediatization – A podcast from a Workshop in Norrköping June 2017 [With a written introduction by James Meese]: Link to the podcast
Culture Unbound: Journal of Current Cultural Research 2018 9(3): 277-278
fulltext
The Citizen Professional, Mediatization, and the creation of a Public Domain
Culture Unbound: Journal of Current Cultural Research 2018 9(3): 279-306
fulltext
The Road Map to Brave New World: Cartography and Fordism from Gulf Oil to Google
Culture Unbound: Journal of Current Cultural Research 2018 9(3): 307-334
fulltext

A Conversation on Methodology

On not Being There
Culture Unbound: Journal of Current Cultural Research 2018 9(3): 335-341
fulltext
On Being Here
Culture Unbound: Journal of Current Cultural Research 2018 9(3): 342-344
fulltext

Video Keynote

Queer times and Chemical Weapons, Suspended in the Gotland Deep
Culture Unbound: Journal of Current Cultural Research 2018 9(3): 0-0
fulltext

Independent Articles

“It usually works out, but you never know”. Emotion Work as a Strategy for Coping in the Insecure Artistic Career.
Culture Unbound: Journal of Current Cultural Research 2018 9(3): 345-364
fulltext
Black Hawk-Down: Adaptation and the Military-Entertainment Complex
Culture Unbound: Journal of Current Cultural Research 2018 9(3): 365-389
fulltext