Article | Culture Unbound: Journal of Current Cultural Research | Discovering Spotify – A Thematic Introduction

Title:
Discovering Spotify – A Thematic Introduction
Author:
Rasmus Fleischer: Department of Economic History, Stockholm University, Sweden Pelle Snickars: Media and Communication Studies, Umeå University, Sweden
DOI:
10.3384/cu.2000.1525.1792130
Read article:
Full article (pdf)
Year:
2017
Volume:
9
Issue:
2
Pages:
130-145
No. of pages:
16
Publication type:
Editorial
Published:
2017-10-31


Not Available.

Volume 9, Issue: 2, Article 10, 2017

Author:
Rasmus Fleischer, Pelle Snickars
Title:
Discovering Spotify – A Thematic Introduction:
DOI:
10.3384/cu.2000.1525.1792130
References:

Åkesson, Nils (2007): “De kan tjäna 900 miljoner”, Dagens Industri, January 16.

Allen Anderson, Paul (2015): “Neo-Muzak and the Business of Mood” Critical In­quiry 41(4), 811-840.

Andersson Schwarz, Jonas (2013): Online File Sharing: Innovations in Media Consumption, London: Routledge.

Apple (2015): Video recording from June event 2015, June 8. http://www.apple.com/ live/2015-june-event/

Barbrook, Richard (2007): Imaginary futures: from thinking machines to the global village, London: Pluto.

Bean, Charles (2016): “Independent review of UK economic statistics”, HM Tre­asury Report https://www.gov.uk/government/publications/independent-re­view-of-uk-economic-statistics-final-report (Accessed 15/03/17)

Bercovici, Jeff (2012): “Spotify Adds Features, Taking a Page From, Yes, Myspace”, Forbes, December 6.

Bertoni, Steven (2012): “Spotify’s Daniel Ek: The Most Important Man In Music”, Forbes January 4. http://www.forbes.com/sites/stevenbertoni/2012/01/04/spotifys-daniel-ek-the-most-important-man-in-music/#5d77b2520263 (Accessed 15/03/17)

Billboard (2016): “Billboard’s 2016 Power 100 List Revealed”, Billboard, February 12. http://www.billboard.com/articles/business/6874816/billboards-2016-power- 100-list-revead (Accessed 15/03/17)

Bloomberg (2016): “Spotify focuses on localisation to smooth next expansion in Asia”, July 20. http://www.businesstimes.com.sg/consumer/spotify-focuses-on-localisation-to-smooth-next-expansion-in-asia (Accessed 15/03/17)

Bruno, Antony (2009): “See Spotify run”, Billboard, 121(25), p. 11

Bruhn Jensen, Klaus (2011): “New Media, Old Methods - Internet Methodologies and the Online/Offline Divide”, Mia Consalvo & Charles Ess (eds): The Handbook of Internet Studies, London: Blackwell.

Brynjolfsson, Erik & Andrew McAfee (2014): The second machine age: work, pro­gress, and prosperity in a time of brilliant technologies, New York: W. W. Norton & Company.

Chun, Wendy (2011): Programmed Visions: Software and Memory, Cambridge, Mass: MIT Press.

Coyle, Diane (2014): GDP: a brief but affectionate history, Princeton: Princeton Uni­versity Press.

Crunchbase (2016): “Spotify”. https://www.crunchbase.com/organization/spotify

Dredge, Stuart (2015): “Apple Music interview: ‘Algorithms can’t do it alone – you need a human touch’”, The Guardian, June 9.

Economist (2009): “The triumph of the monthly bill”, The Economist, October 8.

Economist (2016): “The trouble with GDP”, The Economist, April 30.

Edwards, Jim (2016): “Spotify is causing a major problem for economists”, Business Insider, September 26 http://www.businessinsider.de/spotify-problem-for-econo­mists-2016-9(Accessed 15/03/17)

Ernst, Wolfgang (2013): Digital Media and the Archive, Minneapolis: University of Minnesota Press.

Felländer, Anna (2015): “The opportunities and challenges of digitalisation”, Digital Opportunities, Report from the Digitalisation Commission (SOU 2015:65).

Financial Times (2011): “Spotify bows to privacy pressure as Facebook sharing me­ets friction”, blog post, September 29. http://blogs.ft.com/tech-blog/2011/09/spoti­fy-private-listening/(Accessed 15/03/17)

Fleischer, Rasmus (2015): “Towards a Postdigital Sensibility: How to get Moved by too Much Music”, Culture Unbound 7, 255–269.

Fleischer, Rasmus (forthcoming, 2017): “Nätutopier och nätdystopier. Om 2000-ta­lets sökande efter internets väsen”, Anders Burman & Lena Lennerhed (eds): Sam­tider, Göteborg: Daidalos.

Galuszka, Patryk (2015): “Music Aggregators and Intermediation of the Digital Mu­sic Market”, International Journal of Communication 9, 254–273.

Garfinkel, Harold (1967): Studies in Ethnomethodology, Englewood Cliffs: Prentice Hall.

Guardian (2016): “Spotify in advanced talks to buy SoundCloud, reports say”, 28 September. https://www.theguardian.com/technology/2016/sep/28/spotify-sound­cloud-acquisition-reports(Accessed 15/03/17)

Johansson, Sara (2015): “Så startade Spotify”, Centre for Business History, February 2 http://naringslivshistoria.se/bizstories-nyheter/naringslivshistoria/en-bra-ide-ar-bara-borjan/(Accessed 15/03/17)

Kirschenbaum, Matthew (2008): Mechanisms. New Media and the Forensic Imagina­tion, Cambridge, Mass: MIT Press.

Marres, Noortje & Gerlitz, Carolin (2016): “Interface methods: renegotiating rela­tions between digital social research, STS and sociology”, The Sociological Review 64, 21-46.

Morozov, Evgeny (2013): To Save Everything, Click Here: The Folly of Technological Solutionism, New York: Public Affairs.

Music Week (2009): “What does the future hold for Spotify?”, Music Week 36, 15.

Peoples, Glenn (2010): “Is Spotify really all that?”, Billboard, 122(44), 20–21.

Peoples, Glenn (2012): “Internet Radio: The Next Digital Underground”, Billbo­ard, July 20. http://www.billboard.com/biz/articles/news/1084561/internet-ra­dio-the-next-digital-underground(Accessed 15/03/17)

Pollack, Neal (2011): “The Celestial Jukebox”, Wired 19(1), 74.

Rogers, Richard (2013): Digital Methods, Cambridge, Mass.: MIT Press.

Ruppert, Evelyn, Law, John & Savage, Mike (2013): “Reassembling social science methods: the challenge”, Theory, Culture & Society 30(4), 22-46.

Singleton, Micah (2016): “Does Spotify need to go after exclusive content?” February 18. http://www.theverge.com/2016/2/18/11054460/spotify-exclusive-content-app­le-tidal (Accessed 15/03/17)

Spotify (2011a): “Spotify introduces music to your social life”, blog post, September 21. https://news.spotify.com/se/2011/09/21/spotify-and-facebook/ (Accessed 15/03/17)

Spotify (2011b): “What you share and how to control it”, blog post, September 27. https://news.spotify.com/se/2011/09/27/what-to-share/(Accessed 15/03/17)

Spotify (2011c): “What is Spotify?”, archived version, July 14. https://web.archi­ve.org/web/20110714070521/http://www.spotify.com/int/about/what/ (Accessed 15/03/17)

Spotify (2013a): Main US website, archived version, August 6. https://web.archive.org/web/20130806170904/https://www.spotify.com/us/video-splash/?utm_sour­ce=spotify&utm_medium=web&utm_campaign=start (Accessed 15/03/17)

Spotify (2013b): Main US website, archived version, May 2. https://web.archive.org/ web/20130502232221/https://www.spotify.com/us/(Accessed 15/03/17)

Spotify (2014): “Career Opportunities”, archived version, January 22. https://web.archive.org/web/20141221063949/https://www.spotify.com/se/jobs/opportunitis (Accessed 15/03/17)

Sterne, Jonathan (2012): MP3: The Making of a Format, Durham: Duke University Press, 2012

Vonderau, Patrick (forthcoming 2017): “Scaling Up: Streaming Services, High Fi­nance, and Advertising Technology”, Denise Mann (ed): Content Wars, New Brunswick: Rutgers University Press.

Wade Morris, Jeremy (2015): Selling Digital Music, Formatting Culture, Oakland: University of California Press.

Warren, Christina (2012): “Spotify Wants to Make Music Discovery Truly Social”, Mashable, December 6. http://mashable.com/2012/12/06/spotify-social-discovery/ (Accessed 15/03/17)

Wikipedia (2017): “Spotify” https://en.wikipedia.org/wiki/Spotify(Accessed 15/03/17)

Wikstro¨m, Patrik (2013): The Music Industry, Cambridge: Polity Press.

Wikstro¨m, Patrik & DeFilippi, Robert (eds) (2016): Business Innovation and Disrup­tion in the Music Industry, Cheltenham: Elgar.

Volume 9, Issue: 2, Article 10, 2017

Author:
Rasmus Fleischer, Pelle Snickars
Title:
Discovering Spotify – A Thematic Introduction:
DOI:
10.3384/cu.2000.1525.1792130
Note: the following are taken directly from CrossRef
Citations:
  • Rasmus Fleischer (2017). If the Song has No Price, is it Still a Commodity? : Rethinking the Commodification of Digital Music. Culture Unbound: Journal of Current Cultural Research, 9(2): 146. DOI: 10.3384/cu.2000.1525.1792146
  •  

    Export in BibTex, RIS or text