Article | Culture Unbound: Journal of Current Cultural Research | (Re-)Reading Shanghai’s Futures in Ruins: Through the Legend of an (Extra-)Ordinary Woman in The Song of Everlasting Sorrow: A Novel of Shanghai

Title:
(Re-)Reading Shanghai’s Futures in Ruins: Through the Legend of an (Extra-)Ordinary Woman in The Song of Everlasting Sorrow: A Novel of Shanghai
Author:
Ian Ho-yin Fong: Department of Cultural and Religious Studies, the Chinese University of Hong Kong, China
DOI:
10.3384/cu.2000.1525.124248
Read article:
Full article (pdf)
Year:
2012
Volume:
4
Theme:
Theme: Shanghai Modern: The Future in Microcosm? Edited by Justin O’Connor and Xin Gu

Pages:
229-248
No. of pages:
20
Publication type:
Article
Published:
2011-01-30


This essay is an allegorical reading of Shanghai futures through a fictive woman, Wang Qiyao, in Wang Anyi’s novel, The Song of Everlasting Sorrow: A Novel of Shanghai (1996). The novel is about her life in China from the 1940s to the 1980s. Using Benjamin’s critique of 19th century Paris in relation to Shanghai in the 1930s and 1940s (“the Paris of the Orient”) the essay examines questions of phantasmagoria, nostalgia, memory and awakening and relates these to the possible Shanghai futures to come.

Keywords: Longtang; Walter Benjamin; phantasmagoria; allegory; nostalgia; ordinariness

Volume 4, Theme: Theme: Shanghai Modern: The Future in Microcosm? Edited by Justin O’Connor and Xin Gu

, Article 12, 2012

Author:
Ian Ho-yin Fong
Title:
(Re-)Reading Shanghai’s Futures in Ruins: Through the Legend of an (Extra-)Ordinary Woman in The Song of Everlasting Sorrow: A Novel of Shanghai:
DOI:
10.3384/cu.2000.1525.124248
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  • Volume 4, Theme:: Theme: Shanghai Modern: The Future in Microcosm? Edited by Justin O’Connor and Xin Gu

    , Article 12, 2012

    Author:
    Ian Ho-yin Fong
    Title:
    (Re-)Reading Shanghai’s Futures in Ruins: Through the Legend of an (Extra-)Ordinary Woman in The Song of Everlasting Sorrow: A Novel of Shanghai:
    DOI:
    10.3384/cu.2000.1525.124248
    Note: the following are taken directly from CrossRef
    Citations:
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